All Fra Angelico Oil Paintings

Fra Angelico Galleries b.c. 1400, Vicchio, Florence d.Feb. 18, 1455, Rome Fra Angelico (c. 1395 ?C February 18, 1455), born Guido di Pietro, was an Early Italian Renaissance painter, referred to in Vasari's Lives of the Artists as having "a rare and perfect talent". Known in Italy as il Beato Angelico, he was known to his contemporaries as Fra Giovanni da Fiesole (Brother John from Fiesole). In Giorgio Vasari's Lives of the Artists, written prior to 1555, he was already known as Fra Giovanni Angelico (Brother Giovanni the Angelic One). Within his lifetime or shortly thereafter he was also called Il Beato (the Blessed), in reference to his skills in painting religious subjects. In 1982 Pope John Paul II conferred beatification, thereby making this title official. Fiesole is sometimes misinterpreted as being part of his formal name, but it was merely the name of the town where he took his vows, used by contemporaries to separate him from other Fra Giovannis. He is listed in the Roman Martyrology as Beatus Ioannes Faesulanus, cognomento Angelicus??"Blessed Giovanni of Fiesole, nicknamed Angelico". Fra Angelico was working at a time when the style of painting was in a state of change. This process of change had begun a hundred years previous with the works of Giotto and several of his contemporaries, notably Giusto de' Menabuoi, both of whom had created their major works in Padua, although Giotto was trained in Florence by the great Gothic artist, Cimabue, and painted a fresco cycle of St Francis in the Bardi Chapel in Santa Croce. Giotto had many enthusiastic followers, who imitated his style in fresco, some of them, notably the Lorenzetti, achieving great success.
 

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Fra Angelico Entombment (mk08) oil on canvas


Entombment (mk08)
Entombment (mk08)
Painting ID::  21182
  1438-1443 Tempera on wood 37.9x46.4cm Munich,Bayerische Staatsgemaldsammlungen Alte Pinakothek
  1438-1443 Tempera on wood 37.9x46.4cm Munich,Bayerische Staatsgemaldsammlungen Alte Pinakothek

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Fra Angelico The Annunciation (mk08) oil on canvas


The Annunciation (mk08)
The Annunciation (mk08)
Painting ID::  21183
  c.1430-1435 Tempera on wood. 209x206cm Paris,Musee Natioal du Louvre
  c.1430-1435 Tempera on wood. 209x206cm Paris,Musee Natioal du Louvre

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Fra Angelico The Annunciation (mk08) oil on canvas


The Annunciation (mk08)
The Annunciation (mk08)
Painting ID::  21184
  Fresco 216x321cm Florence,Convent of San Marco
  Fresco 216x321cm Florence,Convent of San Marco

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Fra Angelico Altarpiece of the Annunciation oil on canvas


Altarpiece of the Annunciation
Altarpiece of the Annunciation
Painting ID::  28602
  mk61
  mk61

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Fra Angelico Altarpiece of the Annunciation oil on canvas


Altarpiece of the Annunciation
Altarpiece of the Annunciation
Painting ID::  28603
  mk61 c.1430 Tempera on panel 194x194cm
  mk61 c.1430 Tempera on panel 194x194cm

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     Fra Angelico
     Fra Angelico Galleries b.c. 1400, Vicchio, Florence d.Feb. 18, 1455, Rome Fra Angelico (c. 1395 ?C February 18, 1455), born Guido di Pietro, was an Early Italian Renaissance painter, referred to in Vasari's Lives of the Artists as having "a rare and perfect talent". Known in Italy as il Beato Angelico, he was known to his contemporaries as Fra Giovanni da Fiesole (Brother John from Fiesole). In Giorgio Vasari's Lives of the Artists, written prior to 1555, he was already known as Fra Giovanni Angelico (Brother Giovanni the Angelic One). Within his lifetime or shortly thereafter he was also called Il Beato (the Blessed), in reference to his skills in painting religious subjects. In 1982 Pope John Paul II conferred beatification, thereby making this title official. Fiesole is sometimes misinterpreted as being part of his formal name, but it was merely the name of the town where he took his vows, used by contemporaries to separate him from other Fra Giovannis. He is listed in the Roman Martyrology as Beatus Ioannes Faesulanus, cognomento Angelicus??"Blessed Giovanni of Fiesole, nicknamed Angelico". Fra Angelico was working at a time when the style of painting was in a state of change. This process of change had begun a hundred years previous with the works of Giotto and several of his contemporaries, notably Giusto de' Menabuoi, both of whom had created their major works in Padua, although Giotto was trained in Florence by the great Gothic artist, Cimabue, and painted a fresco cycle of St Francis in the Bardi Chapel in Santa Croce. Giotto had many enthusiastic followers, who imitated his style in fresco, some of them, notably the Lorenzetti, achieving great success.

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